| Jessa
Huebing-Reitinger was born in Wisconsin in 1971. Her career as
a visual artist began at the age of 12 with her first commission.
In 1989, Jessa was accepted to the Kansas City Art Institute and
in 1993 she graduated with a B.F.A. degree in painting.
In late 2002, God inspired Jessa with a vision to paint large
robust portraits of insects using a specimen and a microscope.
Her husband James Huebing-Reitinger, in support of the idea, thought
the paintings should be executed and performed within a public
space so the process of the paintings would become educational.
The idea grew into an interactive and creative traveling exhibition
that evolves on a daily basis through live performance. After
teaming up with the Kansas State University Insect Zoo and Kansas
University, Project InSECT was born. Our project began in May
2003 and has been exhibited within several science museums, zoos,
art centers, botanical gardens, libraries, and universities all
over the Midwest. It is estimated that Jessa and her husband have
interacted with over 1 million people since the birth of Project
InSECT, yet they continue to build the size of the exhibition
within each location. This has led Jessa to produce 18 completed
insect portraits in just 3 years, and has already been revered
by many as the “John James Audubon of insects”. Recently,
Jessa was invited into the elite WNAG
(Worldwide Nature Artists Group) in recognition of her astounding
work and project. |
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As
a live performance painter, Jessa accepts many challenges daily.
Her creative aspirations have found her at center stage where
the environment and focus changes from second to second. There
is physical and mental pressure when painting microscopic details
of an insect on an enormous canvas while balancing from a ladder
in front of an audience. There is also great reward and joy when
the audience interacts, learns, and understands something they
haven’t seen before. With a combination of a subject that
binds us as human beings and interaction with an audience who
knows or cares little about them makes for a magical experience.
The process and outcome of Jessa’s work has become full
of life, thanks to the crazy idea of creating art for the sole
purpose of education and conservation.
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